Rilashul’s body had been beautiful, if she remembered correctly, and if Mellin was to be trusted. She had memories; in so much as she could have them, of dark caramel skin and of soft, woolly curls which hung tightly about her face.
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Havilar and Farideh are twin tieflings abandoned at birth and raised by dragonborn. Careless Havilar has an innocent soul and a penchant for trouble, and careful Farideh feels the weight of the world, her tainted bloodline – and her sister – on her shoulders.
In a summoning ritual gone wrong, Farideh ends up bound in a warlock’s pact with a handsome but sadistic cambion devil, and they are thrown out of the village. A lone dragonborn accompanies them out of compassion, and the three adventurers, often perceived as monsters themselves, begin to make a name for themselves as monster slayers.
But once they reach the encampments in the ruined city of Neverwinter, their simple plans of slaying monsters to make a living get tangled up in a devilish snare six layers deep. It will take every ounce of the twin’s skills – and some borrowed besides – if they are to have any hope of staying afloat in the deadly designs around them.
As far as plot goes, without ruining the book for anybody, the description is pretty much it. We follow several characters throughout the book, but the main two are Farideh, the twin who entered into a pact with a devil for reasons she can’t quite articulate; and Lorcan, the cambion with whom she made the pact.
Evans weaves us into the lives of the twins as they are forever changed and the unconventional family must flee their home village, becoming bounty hunters to survive as they seek out a way to get Farideh out of the pact. Meanwhile, Farideh seems to develop ideas of her own about her pact, the fiend who offered it to her and the exact use of the powers she gains along the way. We are taken along on the journey and brought into the minds of our heroines and their counterparts to explore the meaning of family, the burden of power and heritage and to find out just how far we will go to attain personal freedom whilst trying to “do the right thing”.
The villains are a great bunch, too. We have on one hand, villains who seem to be evil because it’s their nature and they really enjoy it; on the other we have a villainess-in-waiting who’s evil is more a matter of perspective. And, of course, we have Lorcan. He’s devious, self-interested and definitely up to no good, maybe with a touch of evil thrown in… but a few times you find yourself wondering just how despicable is he, really?
So, before I get carried away and ruin the book for you… let’s get into the highlights, eh?
Versatility- Evans manages to write a book which appeals both to long-time lovers of D&D and the Forgotten Realms setting and to newcomers to both D&D and fantasy.
Explanations of what things like tieflings are, and the hierarchy, history and politics of the Nine Hells are woven into the story so that newcomers feel comfortable (not too comfortable, though. It’s a dangerous place!) and familiar with the setting. At the same time those of us who’ve campaigned our way through Faerun once or twice don’t get bored with long-winded descriptions of the history of Neverwinter, every fantastical creature that crosses our paths and what the Spellplague is.
Realism- I know it sounds strange to say that a story which follows the adventures of the tainted descendants of a powerful and evil warlock, their scaly, fire-breathing adoptive father, and a runaway kid with sketchy access to divine magic following the making of a deal with a half-devil from the Sixth layer of the Nine Hells… is realistic. But you’ve just got to trust me on this one.
Writing believable characters and story arcs is difficult in any genre but when you delve into fantasy it’s tempting to throw away any sense of rhyme and reason and have things happen simply because it’ll look cool. Evans does a wonderful job of depicting characters who have realistic reactions to their situations and surroundings.
Our late-teen heroines are, predictably, crushing hard over boys who are best left alone. Our badboy extraordinaire, Lorcan, doesn’t suddenly and inexplicably reform his manipulative ways and heal from literal centuries of physical and emotional trauma simply because he meets a girl. And nobody is exactly forthcoming with the deeply personal and sordid details of their past just because it’d be nice for all our heroes, heroines and antiheroes to bond over a camp fire.
‘Regular’ people are also suitably sceptical and suspicious of folks with black pools for eyes and horns on their heads. Just because you’re in a fantasy setting, doesn’t mean that everyone is comfortable with horned and scaly people running around doing magic and wielding weapons with deadly precision.
Characterisation- Related to the above point, Evans builds strong and relatable characters.
I’ve read a lot of books and watched a lot of movies (oh, the sparkles!) that were let down by poor character analysis and development. Evans’ characters don’t feel like caricatures or stand-ins for concepts. They feel like people. Farideh and Havilar are separate and distinct personalities in their own rights, but as is so often the case with twins, you get the feeling that they’d be incomplete and miserable without each other. Even though they fight and misunderstand each other constantly, when push comes to shoving a claive into an enemy’s torso they’re inseparable. Their adoptive father Mehen is clingy and overprotective in the way that you’d expect someone who’s lost all the people they ever loved to be. As for that shady priest and the runaway… they’re interesting people, too.
Because I’m an impatient reader, especially when there’s an event that’s been foreshadowed and I’m trying to get to it ASAP… I’ll admit I skipped a few pages. I can’t say there was anything wrong with the pace of the novel. In fact, the fact that I only skipped literally a few pages is a testament to how engaging the book was.
Recommendation: Put on your most epic music playlists (I’m a fan of Versus Music on YouTube), call in sick from work or school for the next day or two, arm yourself with a large selection of snacks and enter into one of the most iconic fantasy settings of all time with your new friend Farideh and the badboy extraordinaire, Lorcan.
Trivia: I looked up the meaning of a few of the names in the book. I didn’t find anything for Havilar, but Farideh is apparently Persian and means “delightful” whilst Lorcan is Irish and means “silent”, “fierce”, or “little fiery one”. You learn something new every day!
I’ll finish up with a cautionary note. The book not only contains some explicit content, but also some rather mature context. I’m not saying not to gift it to your 15 year old nephew or niece (I dearly wish somebody had given me this type of book when I was 15), but it’s definitely not a kids’ book. I’d say it’s a 14+ kind of novel, and there’s definitely no upper age limit.
You can find Erin M. Evans on her website and follow her on Twitter and Facebook from there.
Get Brimstone Angels and its sequels at your nearest bookstore or from an online distributor.
Usually, DC animated movies are just the business. The Flashpoint Paradox is literally one of my favourite movies of all time. Even Justice League: War compelled me to give that New 52 nonsense a chance. So when I say that I went into this movie with pre-conceived notions of greatness, I really mean it.
“Girl!” Zhara’s voice rang out of the window and to the garden, shrill and aged. He coughed from the effort and thumped weakly at his chest. Read more
Faril settled in his reading room, lighting the lamp which stood on the desk. He shuffled papers about to make room for the small book which sat nestled in one of the inner pockets of his robe Read more
“At the end of the day, the King and the Pawn go into the same box.”
Rena crouched behind the row of garden bushes which lined Faril’s quarters, her eyes wide and her mouth agape. She hardly noticed the chill which had entered her bones, nor the painful cramping in her arms and legs Read more
I finally found it! That webshow that’s about young African ladies living their lives! I knew it had to exist, I’d almost given up the hunt… But I knew. Read more
The wind rushes about her, swirling in smoky patterns of dark blues and dull greys. She stares into it, comforted by the familiarity. Beyond this, everything is darkness. Read more
There’s nothing inherently wrong with the idea that is the re-make. Technologies change, aesthetics evolve, old fans age and young minds emerge which are fresh for the molding. A good re-make can actually pay homage to the old whilst enticing potential audiences with something new. Now, I’m having a hard time coming up with such a remake off the top of my head, but I’m sure they exist, okay?
All the preambling aside… I thought I would mind the Berserk remakes more than I actually did. Other than Griffith’s lip gloss fetish and the mysterious 50 Shades of Light-Skinned they pulled on Casca it wasn’t all that bad.
I knew what was coming, but still it was a nice little trip down memory lane.
It’d be pretty difficult to argue that imaging and motion software for animation hasn’t gotten more precise over the years. I know we all have our preferences, and there’s a lot to be said about the style and aesthetics of 80s and 90s (some folks would even include 70s) anime.
Personally, I tend to be all about the newest looks. (I still cannot bring myself to like the look of Neon Genesis Evangelion, for example. Sorry, not sorry). So on that score alone The Golden Age Arc was nice to look at. Barring the Casca and Griffith’s lips scenario, there was definite visual improvement.
It’s Berserk, at the end of the day. If you liked grimdark before Stark heads started rolling all over Westeros, then Berserk is probably right up your alley.
Berserk’s motto would likely be: there are no happy endings only stories whose tragedies haven’t yet come to fruition.
There’s not much that I can say which wouldn’t be spoilerific, so let me just say that the storytelling really doesn’t give you much room to be disappointed. All that being said though –
But why? (4/10)
– These movies didn’t need to happen.
The fact they didn’t veer wildly off the tracks and that they may or may not be an aesthetic improvement on the originals and may or may not offer equally compelling character depth is besides the point. To each their merry, geeky own, after all. The point is that if I’m ever to recommend Berserk to anyone I would quite emphatically insist that they ensure they’re watching the earlier series and not the new movies.
It’s because there’s something about the gritty soul of the story that the new movies missed with all their lush colours and lip gloss. I can’t quite put my finger on it (and of course this is totally subjective) but what I watched didn’t really feel like Berserk until some way into the final movie.
At the end of the day I finished all three films and they’re not the worst thing to happen to either anime (I’d wager Attack On Titan’s live action version is going to snatch that crown) or to your life. Can you live without them? Yes. If you’re bored should you watch them? Sure, it’s better than watching Jupiter Ascending.
Recommendation: If you’ve ever wondered what it’s like to watch something that’s epic but still leaves you feeling a little underwhelmed then these movies will do it for you.